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李敬民

个人简介
李敬民,男,汉族,中共党员,1961年3月出生于河南省西平县。现任中南大学建筑与艺术学院教授,中南大学建筑与艺术学院教授委员会副主任,文学(音乐学)博士,博士生导师。中国音乐家协会会员,湖南省音乐家协会副主席,教育部哲学社会科学专家,中国传统音乐学会理事, 全国世界民族音乐教学研究会理事。历任信阳师范学院音乐学院副院长,河南省教育系统学术技术带头人,信阳师范学院重点学科音乐与舞蹈学学科带头人,河南省人文社科评审专家,河南省文艺精品创作生产评定专家,“河南省人文社科研究基地——淮河文明研究基地”民间艺术研究方向负责人,河南省非物质文化遗产抢救专业委员会委员等职。长期从事中国区域音乐、中国传统音乐、民族音乐学、民俗学、音乐教育学、民族民间舞蹈文化和艺术哲学的研究与教学工作。主持并参与完成国家级艺术科学规划项目4项,省部级哲学社会科学项目17项;出版了《中国民族音乐》(合著,撰写“中州音乐”部分,2008年8月版),《中国传统艺术论》(合著,撰写“中国传统戏曲艺术论”部分,2008年12月版),《杠天神仪式音乐研究》(独著,上海社会科学院出版社,2012年10月版),《封尘的绝响:钟离国钟磬乐器研究》(合著,苏州大学出版社,2013年5月版),《民族音乐理论与实践探索》(合著,中国商务出版社,2013年11月版),《中州传统音乐资料数据库建设的理论与实践》(合著,河南大学出版社,2014年07月版)以及省部级高等院校音乐专业本科统编教材和专著共计10部;在《音乐研究》、《戏曲研究》、《中国音乐》、《黄钟》、《人民音乐》等学术刊物和学术文集上发表《从淮西民歌的旋律音调中看文化过渡区的音乐风格》(《天籁》天津音乐学院学报,2002(4)),《淮西山歌的句式结构分析》(《中国音乐》中国音乐学院学报,2003(3)),《论豫南“岔灯”民俗之基础》(《艺术探索》广西艺术学院学报,2005(2)),《乐谱:承载中国传统音乐文化的符号体系》(《中国音乐》中国音乐学学报2007(3)),《论民族音乐学的跨学科研究之基础》(《黄钟》武汉音乐学院学报,2009(3)),《论中国民间音乐音调中的多元化受容——以“槐口坠子书”唱腔的受容性为例(《中国音乐》中国音乐学院学报2008(3))。《论豫南皖西杠天神仪式用乐的三种观念》(《音乐研究》2009(5)),《豫南皖西杠天神仪式音乐研究》(福建师范大学博士论文,2009年6月),《从个体到群体的中国音乐教育谱系研究》(《音乐探索》四川音乐学院学报,2011(1)),《论音乐文化的过渡与融合——以淮河流域民间音乐文化区的基本特质为例》(《音乐研究》2011(3)),《被细化了的历史》(人民音乐》,2015(4))等学术论文80余篇,获省厅级以上科研奖励15项。主要承担本科生、硕士研究生、博士研究生《中国传统音乐》、《音乐文献检索与论文写作》、《民族音乐学》、《音乐学概论》、《艺术概论》、《音乐美学》、《艺术哲学》、《中国民族民间音乐》、《民族民间舞蹈文化》、《经典艺术与流派》等课程的教学工作。”
联系方式:

手机:18507499321
邮箱:ljm9321@163.com


Jingmin LI, male, Han, member of Communist Party of China, was born on March, 1961, County of Xiping, Henan Province. At present, LI is a professor working in College of Art and Architecture, Central South University, and the Deputy Director of Professor Committee, Doctor of Arts/ Music, PhD Supervisor. LI is a member of the Chinese Musician Association, the Deputy President of Hunan Musician Association, an expert in Philosophy & Social Science under the leadership of Minister of Education, a council member of Chinese Traditional Music Association, a council member of National World Folk Music Teaching Society. Also, LI successively held the posts of Deputy Dean of School of Music in Xinyang Normal University. He is also the academics and technology leader of Henan educational system, academic leader of Music and Dance which is a key discipline in Xinyang Normal University, an assessment expert of Humanities & Social Science and Premium Works of Literature & Art in Henan Province. What’s more, LI is the director of Folk Art in the Research Base of Huaihe River Civilization, which is a branch of Henan Humanities & Social Science Study Base, and a member of Professional Committee of Rescuing Intangible Cultural Heritage. LI has been long engaged in the study and teaching of various professions, suchas, Chinese Local Music, Chinese Traditional Music, Ethnomusicology, Folklore, Music Education and the Theory of Chinese National Folk Dance, etc. LI has hosted and completed 4 Arts Scientific Planning Programs at the State-level, 17 Philosophy and Social Science Programs of the Provincial and Ministerial-level. LI has publishedmonographs including Chinese Traditional Music (composing the part of Central China), edition of Aug., 2008; Studies on Chinese Traditional Art(composing the part of Studies on Traditional Opera),edition of Dec., 2008;Music Studies on the Ceremony of Gang TianShen (independently completed), Shanghai Academy of Social Sciences Press, edition of Oct., 2012; Marvelous Melody made by Zhong and Qing: Studies on the Instruments of Zhongli (co-authored), Suzhou University Press, edition of May, 2013; Discovery of the Theories and Practices of National Music (co-authored), China Commerce and Trade Press, edition of Nov., 2013; On the Theory and Practice of the Database Establishment of Central China Traditional Music (co-authored) Henan University Press, edition of Jul., 2014, and has compiled the undergraduate textbooks for music studentsat the provincial-ministerial level, and the monographs and textbooks have amounted to 10 pieces. LI has published more than 80 papers in various academic journals and collected works, such as Music Studies, Traditional Opera Studies, Music of China, Brass Bells, People’s Music, Sounds of Nature: Journal of Tianjin Conservatory of Music, Journal of Sichuan Conservatory of Music, etc.,and won 15 rewards of scientific research above the Provincial and Ministerial-level.Part of the papers are listed as following: Understanding the Music Style of the Cultural Transitional Area from the Melody and Tone of the Folk Songin Western Huaihe River (Sounds of Nature: Journal of Tianjin Conservatory of Music, 2002(4)), Analysis of the Sentence Structure of theFolk Songin Western Huaihe River(Music of China, Journal of China Conservatory of Music, 2003(3) ),On the Foundation of Cha Deng─A folklore in Southern Henan (Art Explorer: Journal of Guangxi Art Institute, 2005(2)),Musical Notation: the Sign System Bearing the Culture of Chinese Traditional Music(Music of China, Journal of China Conservatory of Music, 2007(3) ),On the Foundation of Cross-Disciplinary Studies of Ethnomusicology(Brass Bells, Journal of Wuhan Conservatory of Music, 2009(3)), On the Diverse Reception Capacity of the Tune in Chinese Folk Music─A Case Study on the Singing of HuaiKouZhuiZiShu(Music of China, Journal of China Conservatory of Music, 2008(3)),Three Conceptions of Utilizing Music During the Gang TianShenCeremony in Southern Henan and Western Anhui (Music Studies, 2009(5)), Music Studies on the Gang TianShen Ceremony in Southern Henan and Western Anhui(Doctoral Dissertation for Fujian Normal University, 2009(6)),Studies on the Pedigree of Chinese Music Education: from Individual to Group (Music Explorer: Journal of Sichuan Conservatory of Music, 2011(1),) On the Transition and Integration of the Culture of Music─A Case Study on the Essential Features of Folk Music Cultural Area in the Huaihe Basin (Music Studies, 2011(3)),Refined History(People’s Music, 2015(4)), etc.. Besides studies, LI also undertakes the teaching tasks of doctor students, postgraduates and undergraduates in the courses of Chinese Traditional Music, Music Documentation Retrieval and Thesis Writing, Ethnomusicology, Outline of Musicology, Outline of Art, Aesthetics of Music, Philosophy of Art, Chinese National Folk Music, National Folk Dance, Classic Art and School, etc.